Robert Rosen

My book Nowhere Man: The Final Days of John Lennon has been under scrutiny for 25 years. Since early 2000, when the publisher first distributed advance reader copies, I've done somewhere in the neighborhood of 500 interviews. I often think I've been asked and have answered every possible question. But sometimes I'm surprised.

 

Last week I participated in a… let's call it a panel discussion though it was probably more of a debate, on Robert Rodriquez's podcast, Something About the Beatles, broadcast date TBA. Rodriguez and Carole Kirstein-Chase, an attorney, acted as moderators. The other panelist was David Whelan, author of Mind Games, a book that suggests a mysterious right-wing cabal programmed Mark David Chapman to be a Manchurian patsy, that he did not shoot Lennon, and that there was a second shooter who got away.

 

My contention is that similar conspiracy theories have been circulating for 44 years, none of them have come to anything, and Chapman did it.

 

Nowhere Man's "Chapter 27," named after the so-called missing chapter of J.D. Salinger's novel The Catcher in the Rye, is about Chapman's sentencing hearing, which I attended. (Whelan disputes that I was there.) In the chapter, I quote Chapman saying, "I feel like a bloodied prizefighter in the 27th round." I also say that this is what he told a psychiatrist after a suicide attempt.

 

Whelan asked me three questions about this quote that I'd never been asked: Why isn't it in the court transcript? Why did nobody else report it? Why is there no mention anywhere else of him saying this to a psychiatrist?

 

I didn't know, and I told the story behind the Chapman section of Nowhere Man: When Soft Skull Press accepted the book, in 1999, it was about Lennon's final years and ended when John was alive. There was no Chapman section. Soft Skull's publisher asked me to write one. I didn't want to. He insisted. I thought about it and decided that because I'd attended the sentencing hearing I could write something original and worthwhile.

 

In late 1999, I wrote Part IV of the book, "The Coda," about Chapman. It's based on my memory, accounts in newspapers and other books, and notes I took in August 1981 at the sentencing hearing.

 

In "Chapter 27" I say that Chapman said what he did about the bloodied prizefighter immediately after he read from The Catcher in the Rye but before the judge sentenced him to 20 years to life.

 

I suppose it's possible that the court reporter simply didn't hear Chapman say that.

 

But after thinking about it for a couple of days it occurred to me that maybe I had the events slightly out of sequence. Maybe Chapman said it after the judge sentenced him, the hearing was over, and the court reporter had stopped transcribing.

 

I flashed on a scene from 43 years ago: The judge pounds his gavel, dismisses the court, and Chapman, handcuffed, standing by his chair, facing sideways towards me, a cop on each arm, is about to be led out of the courtroom. That's when he says, "I feel like a bloodied prizefighter in the 27th round." But nobody's paying attention. The reporters have their stories, they're on deadline, and they're clamoring to get out. And that's when I write of Chapman, "He walks fearlessly out of the courtroom, holding his head high, veritably glowing with pride. He's done what he came to do."

 

Whelan questions if this description of Chapman is accurate because nobody else reported it.

 

Maybe I was the only reporter there who knew that the story wasn't over, and there was one more thing to see and hear.

 

And by the way, the following quote can be found on page 145 of the Chapman bio Let Me Take You Down, by Jack Jones. This is Chapman speaking to a psychiatrist in Hawaii: "I think of myself as a boxer in the twenty-seventh round with my face all bloody, my teeth knocked out and my body all bruised."

 

Note to Whelan: Go to Let Me Take You Down in Google books and search for "twenty-seventh round." Comes right up.

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All my books are available on Amazon, all other online bookstores, and at your local brick-and-mortar bookstore.

 

I invite you to join me on Facebook or follow me on X, Instagram, or my recently launched Threads.

 

The front and back covers of the new Nowhere Man paperback, the first updated English-language print edition in 20 years, has certain references and symbols that a casual reader might overlook. Let's begin with the the color red in "Nowhere" and in the background of the front cover. This is a reference to the cover of J. D. Salinger's classic novel of disaffected youth, The Catcher in the Rye, which plays a crucial role in Nowhere Man. Mark David Chapman believed that if he murdered John Lennon he would literally disappear into the pages of Catcher, become the Catcher in the Rye for his generation, and there would be a new chapter of the book, Chapter 27, written in Lennon's blood. At Chapman's court hearing, after he pleaded guilty to murder, he chose to read a passage from Catcher as his way of explaining why he did it.

 

In Nowhere Man, I explore the insanity of what Chapman believed and what he did, and try to make sense of a senseless act that defies rational explanation.

 

The photo of Lennon, which perfectly captures the mood of the book, was shot in Denmark in 1970.

 

The circle and lines on the back cover are a reference to the tarot card the Sun, which portends good fortune, joy, and harmony. Both John and Yoko were deeply into tarot—they had a full-time tarot-card reader, Charlie Swan. In Nowhere Man, I examine their obsession with tarot and other occult practices, including magic, astrology, and numerology.

 

There have been 15 editions of Nowhere Man, in various languages, all with different covers. This cover, designed by Grey Thornberry, I think is the best one yet, and I hope it will entice you to pick up the book.

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My latest book, A Brooklyn Memoir, is available on Amazon, Bookshop, all other online booksellers, and at your local brick-and-mortar bookstore.

 

I invite you to join me on Facebook or follow me on Twitter or my eternally embryonic Instagram.

Let's hang around on my new SoundCloud for a while. The first file I've uploaded is my reading from J. D. Salinger's The Catcher in the Rye at a Banned Books Week event in October 2012, at the 2A bar in the East Village. That's Eric Danville introducing me.

The other file is my complete Nowhere Man reading from this past October at a John Lennon event at 2A. That’s Eric Danville introducing me again. (A video of the first two parts of this reading is available here.)

Both files are downloadable.

In coming weeks, I’ll upload additional material from my archives—readings, interviews, and anything else that seems worth posting.

But for now, to commemorate the anniversary of Lennon’s murder on December 8, I give you The Catcher in the Rye and Nowhere Man. Read More 

Normally, I'm less than satisfied with my readings, but this one, last night at 2A, is one of my better performances, and Michael Paul did a nice job capturing it on video. I'm reading from my book Nowhere Man: The Final Days of John Lennon.

The first part is the opening section of the chapter titled "Being Rich." The second part is all of "Chapter 27," my eyewitness account of the sentencing hearing of Lennon's killer, Mark David Chapman, who believed that by shooting the ex-Beatle, he'd write the missing chapter of J. D. Salinger's novel The Catcher in the Rye in Lennon's blood.

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They were into wordplay, John and Yoko, especially when it came to their names, which lent themselves to a variety of combinations, like Lenono Music and Discono, a title John suggested for one of Yoko's LPs. In that spirit, I'm calling this post "Lennonight," which will take place at 8:00 PM, on Tuesday, October 15, in the upstairs lounge of the 2A bar in the East Village.

This is number four in the Tuesday night reading series that Eric Danville, Lainie Speiser, and I have been producing. We've christened our spoken-word collective Title TK, and Listen to This Reading is our celebration of John Lennon's birthday--he would have been 73 on October 9.

I’m going to read from my Lennon bio, Nowhere Man, specifically the opening chapter, “Being Rich,” the closing chapter, “Dakota Fantasy,” and “Chapter 27,” which is a reference to the nonexistent chapter of J. D. Salinger’s The Catcher in the Rye, the novel that drove Mark David Chapman to murder.

Mary Lyn Maiscott, who’s more accustomed to performing with a guitar in hand, will read from “Birth of a Song,” the Nowhere Man chapter that explores the inspiration behind Lennon’s “I’m Losing You,” which Mary Lyn covered at the first Bloomsday on Beaver Street.

Lainie will read from May Pang’s memoir, Loving John.

Other readers include actor David Healy, adult actress Alia Janine, actor James Sasser, and radio personality Ralph Sutton.

As always, admission is free and there’s no cover.

In other Title TK news, Lexi Love has created a long-awaited Bloomsday on Beaver Street page on her Website. The page features some very cool photos and the complete audio of her reading that night. Check it out for a taste of the unexpected drama you can expect on October 15, at 2A Read More 

Like most writers, Stephen King does what he can to get the media to pay attention to his books, and he does it very well. The above video, from August 6, 2012, is King’s impressive appearance on The Late Late Show with Craig Ferguson, and it should serve as an instructional video for any author out there doing promotion. Comfortable, articulate, and clearly into it, King shows us all how it’s done as he discusses the writing process, the contrast between what an author says in his books and his real-world personality, the afterlife, Jung, and the collective unconscious.

Ironically, at the 14:10 point in my interview on ReW and WhO? last week, Rew brings up Holocaust denial, and I mention my Holocaust-denying “personal conspiracy theorist” who also thinks I’m the CIA spymaster who ordered the hit on John Lennon.

“I heard someone else did it,” Rew says.

“Yeah, it was Stephen King,” I jokingly reply.

I am, of course, referring to the fact that King, too, has his own personal conspiracy theorist who believes he killed John Lennon. (Other conspiracy theorists believe Mark David Chapman received the order to kill Lennon through The Catcher in the Rye, by J. D. Salinger.)

Ferguson, however, chose not to go there with King, though King’s take on the twisted psyche of conspiracy theorists, Holocaust-denying and otherwise, would be fascinating. Perhaps it’s a job for Rew.

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Last night, when I read from The Catcher in the Rye, by J. D. Salinger, at 2A, in New York City, in celebration of the 30th anniversary of Banned Book Week, I learned that it's easier to read from something you didn't write and feel detached from, than to read--as I've been doing for the past six months--an intimate passage from my own book Beaver Street, about how, as an experiment in participatory journalism, I got a blowjob for a photo shoot in a sleazy porn mag.

And speaking of blowjobs, last night may have been the first time in the history of Western Literature that a reading from the works of Linda Lovelace, author, was followed by a reading from the works of Salinger. And though few would argue that Lovelace is a better writer than Salinger, she is, arguably, a more prolific writer, and it's beyond question who's more skilled at the art of swallowing nine throbbing inches--a disciplined act of athleticism that Lovelace describes well in her banned book, Inside Linda Lovelace, read by event co-host Eric Danville to the appreciative audience.

I could go on talking about all the outstanding performances by a motley collection of writers, porn stars, and rockers, who included Lainie Speiser, Zoe Hansen & Raffaele, Shannon Conley, Rev Jen, Lisa Ann, and especially Puma Perl, who delivered an extraordinary reading of “To Fuck with Love,” by Lenore Kandel. But it’s all been documented on videotape, so you’ll soon be able to see it for yourself. I’ll post the video here as soon as I get my hands on it. Read More 

October has always been a good month for me, publicity-wise. It was in October, 13 years ago, that the first item about my John Lennon bio, Nowhere Man, appeared in Entertainment Weekly magazine, and ignited a firestorm of publicity that put the book on best-seller lists in five countries.

Judging by what happened yesterday, this October appears to be keeping true to form. The day began with an excellent piece in Adult Video News about banned books in general and the Banned Book Week event I'll be participating in tonight, at 8:00, in New York City, at 2A in the East Village. I've never before taken part in a group reading with a porn star, so this should be both interesting and raucous. The porn star, Lisa Ann, best known for playing "Serra Paylin" in the Hustler video series, will be reading from Fifty Shades of Grey, by E. L. James. I'll be reading from The Catcher in the Rye, by J. D. Salinger. And it's FREE. See the full lineup here.

Then the day ended with The Bloodsprayer posting part 2 of my epic Beaver Street interview. If you’re undecided about whether or not to come tonight, allow me, as I did with part 1, to boil down part 2 to the top 5 pull quotes.

“In the 60-odd pages Traci Lords devotes to porn in her book, in virtually every case she leaves out the Five Ws—who, what, where, when, and why—saying she was drunk and stoned the whole time and forgot everything that happened.”

“A normal company would have put Mario Puzo’s and Stan Lee’s typewriters in a glass case and employees would have been required to genuflect every time they walked by. But at Swank, it appeared as if the Goodman family didn’t want Martin Goodman’s sacred name sullied by the stench of his son’s smut.”

“The amateur exhibitionists are putting the professional studs and starlets out of business.”

“I say in the Beaver Street prologue that I wrote the book ‘to understand the cumulative psychic effect of having spent 192 months immersed in XXX and wondering if I’d ever get out alive.’ So, yes, writing it was cathartic.”

With any luck at all, I’ll be equally provocative tonight. Hope to see you at 2A. Read More 

Of all the banned books in the world to read from, and there are thousands, why am I reading from J. D. Salinger's The Catcher in the Rye at the Banned Book Week event at 2A tomorrow night? Because of the connection between that book and Nowhere Man, my John Lennon bio. As I will explain at the reading, The Catcher in the Rye is a book that drives people crazy. And it has 26 chapters. Mark David Chapman read it and decided to kill John Lennon--to save the world from Lennon's phoniness. He believed that by killing Lennon he'd write Chapter 27 in Lennon's blood and then he'd literally disappear into the book to become the Catcher in the Rye for his generation.

I wrote about all this in Nowhere Man. In the last section of the book, “The Coda,” I detail Chapman’s descent into madness as he travels from Hawaii to New York to carry out his mission. In the book’s final chapter, “Chapter 27,” I describe Chapman’s 1981 court hearing, which I attended as a journalist. Rather than stand trail, Chapman pleaded guilty and was sentenced to 20 years to life. In the courtroom, as his statement to the world, he read from chapter 22 of The Catcher in the Rye, the part where Holden Caulfield tells his sister that he wants to be the catcher in the rye.

None of this has anything to do with why the book was banned. It was banned because Holden talks too much about sex. And Salinger captures his voice perfectly, which is the real magic of The Catcher in the Rye.

Hope you can stop by and listen to all the readings. And please check out this excellent article in Adult Video News about the event, and banned books in general. Read More 

 

Let’s take a day off from Beaver Street to talk about conspiracy theories. I bring it up now because in the course of my correspondence with “Alan” (click here and here), I mentioned that after publishing Nowhere Man, a conspiracy theorist who calls himself “Salvador Astucia” began posting articles suggesting that I’m the CIA spymaster who gave the order to whack John Lennon. (Or something like that. It’s hard to make sense of his insanity.) I also sent Alan a link to a satirical piece about the top three Lennon-murder conspiracy theories, which includes the spymaster theory. Alan’s astonished and expletive-filled reaction prompted me to try to explain what it’s like to have a conspiracy “nut” accuse you of murder, which, oddly enough, has its upside.

Alan,

This has been going on for years, and at first it was disturbing, especially when other writers picked up on it and reprinted his “theories.” You’d think that people who call themselves journalists would make an effort to get in contact with someone before they implicate him in a high-profile murder. But the only conspiracy theorist who’s asked to interview me is Astucia (means “clever” or “cunning” in Spanish), and that is the only interview I’ve ever refused to do. I don’t know if he really believes what he’s writing, or he knows it’s bullshit and he just says it to be provocative. But he’s also a Holocaust denier and tends to describe me as a “Jewish writer.” That’s why I call him My Personal Nazi. (Everybody should have one.) What I finally realized is that when Astucia gets active, and starts splattering stuff all over the Internet—it goes in cycles—it sells books. So, I don't totally hate him. And any time I find myself on a top-three list with Stephen King and J. D. Salinger, I only have My Personal Nazi to thank.

Bob Read More